The painter Hieronymus Bosch (c. 1459-1516) is one of the most important and interesting old Dutch painters. He is next to Dürer incidentally my favorite painters. In his with a grand artistic power and unusual imagination created, overflowing with large grotesque content emblematic significance paintings, by the change of mind between the end of the Middle Ages and the dawn of the modern age a unique and stimulating to ever new interpretations of expression. This book will be discussed in more detail after an introductory preface by Professor Jos Koldeweiy the complete works of the artist `s-Hertogenbosch.
Koldeweij, a recognized specialist in art history and craft of the late Middle Ages and the Renaissance, accompanied quoted throughout the book and explains the work of the great artist detaillert.
The Hay Wain triptych is the first major satirical and moral allegory Bosch, which is completely preserved. The work is a highlight of his display of small, dynamic content moving figures dar. Bosch is taking the mystic of the 14/15. Century: a view of human folly, which begins with the prehistory to the present day passes and looks to the future.
In the triptych "The Garden of Earthly Delights" Giant strawberries are in addition to headless humans, birds are riding animals. These are all symbols of a peculiar, deeply pessimistic world view, which is also expressed in the dry, hollow, empty and lifeless forms, which are symbols of procreation is beige.
Clarification these paintings, but also include the "Ship of Fools," his triptych "The Last Judgement", the wonderful painting "The crucified martyr" and I highly estimated painting "The Juggler" which we basically understand as a mental picture of the needs, along with precise illumination of his person to the reader an idea of this great artist whose expressive forms and exuberant Fantastik are characteristic of him. His influence is in the painting of the 20th Century felt. Especially surrealism found in the radically the causal relationships destructive Bosch one of his great models.
It's always a pleasure to delve into Bosch's imagery. I am astonished that this painter Fanatasie always new. His world was indeed very pessimistic. He knew the stupidity, infatuation, lust, licentiousness, greed and fraud, the society of his time specific and documented this in his paintings.
On page 37, a Bosch's painting is shown, which I, as mentioned above may, in particular. It is titled "The Juggler". One can very much enjoy playing the juggler, if one is not serious about their game.
A great book. The picture quality is excellent.
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