Where To Buy Sippy Cups To Monogram

Review: Hans Holbein the Elder -The Grey passion in their time

This is the catalog for the exhibition "Hans Holbein d.Ä .- The Grey passion in their time," which is being presented in the State Gallery in Stuttgart . This is the great national exhibition of Baden-Württemberg, 27 November 2010 - until 20 March is shown 2011th

The focus of the exhibition is Holbein's Twelve Tables comprehensive "Grey passion" (realized between 1494 and 1500). The main work of the artist in the context of topics of the same paintings and graphic series of important predecessors and contemporaries such as Jan van Eyck, Hans Memling, Martin Schongauer, Albrecht Dürer, Hans Baldung Grien, Matthias Grünewald, etc. presented in the context of large text and a wonderful catalog part in the book.

preceded by an introduction to the catalog part in the life and work of Hans Holbein the Elder Bernd Konrad and 7 essays with titles:

Elsbeth Wiemann: The Grey passion of Hans Hollbein Elder. - A summary

Kurt Holes: The Grey passion by Hans Holbein the Elder - The servant Malchus by Holbein and the mirror of medieval passion plays

Kurt Löchner: The Grey passion by Hans Holbein the Elder - clothes, weapons and equipment

Henning Autzen, Karolina Soppa, Stephanie Dietz: Restoration of the Grey Passion by Hans Holbein the Elder .- A work report

Stephanie Dietz, Henning Autzen, Ursula Baumer, Patrick Dietemann, Irene Fiedler, Christoph Krekel, Anne Schoenemann, Amelie rod: The Passion Gray d.Älteren by Hans Holbein - equipment and technology

Elsbeth Wiemann: To design monochrome image

Catherine Krause: On the border of the images, inscriptions, candles, flowers.

The German painter and graphic artist Hans Holbein the Elder. (C. 1465-1424) overcame in the color treatment, the medieval usual local color. This is succeeded by him, that he the color of the light-adapted and room situations and voted with the image content. Through his pysiognomisches interest and type of characterization he proposed the transfer of German portrait painting to the Renaissance.

His apprenticeship completed Holbein probably in an Augsburg workshop (see: S.427) and made probably in his early years a trip to the Netherlands or to the Lower Rhine. In 1493 he is mentioned as a citizen of the Free City of Ulm and 1494 is his name in the tax the city of Augsburg recorded. In Augsburg, the artists have a garage business has talked to several agents, where he was assigned to work for the church before he moved 1516 to the Upper Rhine. In the first decade of the 16th Century, he traveled to the Netherlands and others in Alsace. The portraits of the founders' Oberrieder altar for the cathedral in Freiburg, he painted 1521st

The artistic works of Hans Holbein the Elder. consists of altarpieces, portraits, each panel paintings, pen and silver pen drawings, but also designs for stained glass. Holbein chose the color of the image definition and waived in the Grey Passion entirely on the chromatic color.

On pages 52-53 you can get a first visual impression of the horror of passion in the closed and open state, the panels are designed as single images and to continue to meditation and contemplation in the Stations of the saving work of Christ, ( see: p.61). The structure and the scenic equipment are explained very well and it is in Knowledge set, which had Holbein role models for this work. The color effect of the Grey Passion is significantly influenced by the background of the panels. Furthermore you can find on pages 67-68 details, and then delve into the color scheme.

is very exciting to read the essay, which addresses the restoration of the Grey Passion. Discussed the history of restoration, conservation status, the characters, the foreground, the varnish will but also the restoration itself

impressed me most in the catalog of the graphic representation of the Green Passion Dürer and explaining the idea, but more so the visualization of the Grey Passion - The twelve images of suffering of Christ of Holbein corresponding with the explanation.

413 illustrations, 411 color waiting for the interested viewer, plus a wealth of information, according to the reading of the finding that the visit of the exhibition worthwhile.

recommended.

Images: © National Gallery Stuttgart

The reviewed product is available in stores everywhere.